Cartographic conjecture, emergent systems and experimental musical notation all coalescent in the space planes of Emma McNally’s drawings.
The pieces, done with graphite on paper, are dense with interconnected and intersecting shapes - squares, circles and dots rhythmically layered to create dense three-dimensional spaces.
Maps and mappings also figure heavily – imagined paths, trajectories and psychogeographic boundaries of possible journeys are implied.
The perfect chaos.
The organized mess.